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"GUMMY BAMARRA" by Jungaji


"Gummy Bamarra," the latest single by Australian First Nations songman Jungaji, is a profoundly emotional and evocative tribute that transcends language barriers. Released on May 31, this track is Jungaji's first in the GuGu Yalanji language, originating from the lush rainforest regions of Far North Queensland. The song is a deeply personal and spiritual journey, channeling the pain of loss and the enduring power of love, and stands as a testament to Jungaji’s ability to transform sorrow into art.


From the very first notes, "Gummy Bamarra" captivates with a haunting acoustic guitar melody that lays the foundation for Jungaji’s soulful and heart-wrenching vocals. As the song progresses, layers of harmonies and additional instruments weave into the fabric of the melody, creating a rich and immersive auditory experience. Produced by Cody McWaters at Hunting Ground Studios in Brisbane, the song’s arrangement builds to an emotional crescendo that beautifully captures the essence of Jungaji’s message.


The narrative behind "Gummy Bamarra" is deeply poignant, as Jungaji dedicates this ballad to his grandchildren, who lost their father three years ago. The lyrics, imbued with love and guidance, echo the words that their father might say if he were still alive, offering comfort and spiritual connection. Jungaji’s belief in the enduring presence of the father in the spiritual realm provides a sense of solace and continuity, as he reassures his grandchildren that their father walks with them and hears them whenever they call out.



In "Gummy Bamarra," Jungaji has crafted an exquisite legacy from a place of tragic loss, turning his personal grief into a universal message of love and resilience. The song is a beautiful blend of cultural heritage and contemporary music, underscoring Jungaji’s role as a bridge between the past and the present. This moving ballad not only honors his late son but also stands as a powerful reminder of the enduring bonds of family and the healing power of music.



Graham writes

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