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Roman Angelos: A Serene Escape With "Tropical Nites"

Roman Angelos' latest album, "Tropical Nites," is a captivating journey through a lush and immersive soundscape. This full-length LP, released by Music Factory Records, features a talented octet that includes composer Rich Bennett on guitar, Brittany Anjou on vibraphone, Ben Zwerin on bass, Spencer Cohen on drums, Dennis Boolyoins on percussion, Rose Rutledge on flute, and Deidre Rodman-Struck on piano. Together, they create a sonic tapestry that draws you in and invites you to stay awhile.


The album's lead single, "Motorbike Journey," sets the tone for the entire experience. This track is anchored by a vibraphone-led theme that gracefully dances between riff and melody, punctuated by unexpected trombone solos. Rich Bennett describes the piece as a meditation on how we often dwell on past experiences, overshadowing the present moment, even in the midst of life’s sublime experiences. "Motorbike Journey" is an invitation to reflect and immerse yourself in the present, a theme that permeates the entire album.


"Tropical Nites," the album's title track, features groovy drumming and shimmering vibraphone, creating an exotic and introspective soundscape. The flute melodies soar warmly above the rhythm, adding an alluring and meditative quality to the music. This piece perfectly encapsulates the album's ethos, blending elements of jazz, lounge, and exotica into a cohesive and captivating journey through tropical nights.


From the catchy and lighthearted "Lady Of Singapore" with its playful syncopated flute and trumpet, to the charming and quaint melodies of "Dark Night at The Tiki Bar," each track on "Tropical Nites" offers a unique sonic experience. The album closes with "Unwritten Letters," a gentle piece with soft piano, trumpet, and flute, leaving listeners with a sense of calm and reflection. "Tropical Nites" is a must-have for vinyl collectors and a perfect starting point for new enthusiasts looking to explore Roman Angelos' serene and contemplative musical world.


Graham writes



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