''We Are All Bots'' by Andrea Pizzo and The Purple Mice
- GRAHAM
- Jun 20
- 2 min read

Andrea Pizzo and The Purple Mice return with ''We Are All Bots,'' a kaleidoscopic three-track EP that traverses the digital, the celestial, and the eternal. True to their genre-defying nature, the band fuses electro-rock, symphonic electronica, and operatic pop into a short but conceptually massive project. This is no ordinary listening experience, but a space opera for the mind and soul, built on layered arrangements, soaring vocals, and philosophical musings that straddle the line between sci-fi and existentialism.
The EP opens with its title track, “We Are All Bots,” a punchy, kinetic electro-rock anthem that dives straight into the heart of our digital dependency. Driving synths pulse like circuitry come to life, while Pizzo’s vocals oscillate between defiance and robotic detachment. The track’s urgent rhythm mirrors the disorienting speed of modern life, and lyrically, it unpacks our growing merger with machines. Yet beneath the buzzing electronics and distorted edges, there’s a human ache—one that longs for identity in a world increasingly shaped by algorithms.
Track two, “To The Space and Beyond,” launches listeners into a more cinematic orbit. With symphonic swells and electronic flourishes, the song evokes the grandeur of deep space exploration while reflecting on humanity's place in the cosmos. It plays like a soundtrack to a philosophical interstellar voyage, somewhere between Vangelis and Hans Zimmer, with Muse-like drama thrown in for good measure. Here, the Purple Mice demonstrate their knack for blending narrative and atmosphere—each sound choice feels deliberate, drawing the listener deeper into the mystery of the universe.
Then comes “Eternità,” the most operatic and theatrical of the trio. Inspired by the myth of immortality, the track is drenched in classical grandeur—soaring vocals, sweeping orchestration, and a pace that rises and falls like a tragic aria. It’s bold and unapologetically dramatic, reminiscent of Queen’s more experimental pieces. But it also carries a haunting undertone, probing the cost of eternal life. As the final note echoes into silence, it leaves a lingering question: in our quest to transcend mortality—through myth, machine, or memory—what do we lose?
What makes 'We Are All Bots' stand out is not just its sonic range, but its cohesion. Each track tackles a different facet of the human experience in a futuristic or fantastical context, yet they all circle back to the same core: what does it mean to be human when everything around us changes? From the ground-level anxiety of digital dependence to the cosmic awe of space and the tragic beauty of eternity, the EP is a meditation wrapped in melody—a small epic.
Andrea Pizzo and The Purple Mice are making music, and they’re world-building. 'We Are All Bots' is a testament to their evolving artistry, their embrace of genre fusion, and their refusal to settle for surface-level storytelling. It’s a brief journey, but a potent one—fiercely imaginative, deeply symbolic, and wholly immersive. If this is a preview of the future they’re composing, then we’re more than ready for the next chapter.

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