With their latest single “Jazz June,” Tornado Rose proves once again that they are storytellers who know how to transform literature, history, and lived emotion into a vibrant roots sound. Released as the third installment of their 2025 musical offerings, following the acclaimed “Rabbit in the Pine” and “Down Fall River,” “Jazz June” strikes a unique chord. Drawing inspiration from Gwendolyn Brooks’ famous poem ‘We Real Cool‘, the song takes its cues from the poem’s rebellious spirit, threading it through Tornado Rose’s unmistakable blend of Americana, bluegrass, folk, and country. The result is a ballad that captures both the thrill and the danger of youthful defiance, packaged in soaring strings and rich, heartfelt vocals.
From the first note, the production makes it clear this is a track of intimacy and weight. Recorded at Nashville’s Forty-One Fifteen studio under the skilled hand of producer Dewey Boyd, “Jazz June” feels at once polished and raw, a balancing act that mirrors the contradictions of its subject matter. Brooke Bell leads with vocals that are warm yet cutting, her voice shaping each line into a lived experience rather than a distant retelling. Dustin Gill’s mandolin work adds a restless pulse, carrying the energy of rebellion in its quick strums. When joined by Maddie Denton on fiddle—whose award-winning playing soars with precision and passion—the track bursts into full bloom. Lucas White and Phil Kilmer layer guitars that alternate between subtle support and bold statement, while Josh Bell’s double bass grounds the song with earthy resonance.
The heart of “Jazz June” lies in its lyrical translation of Brooks’ poem into a musical narrative. Brooks’ original text delivers its message in clipped, concise lines, but Tornado Rose stretches those phrases into melody, giving them a new weight. The teenagers of the poem—reckless, brash, unafraid to break rules—become characters fully realized in song. There’s joy in their defiance, but the band never lets us forget the undertone of fleeting time and looming consequence. This duality is where Tornado Rose shines: they celebrate the fire of youthful rebellion while acknowledging the shadows it casts. The instrumentation echoes this balance, at times rollicking with energy, at others pausing with a subtle hush, as if giving listeners a moment to reflect on the gravity beneath the groove.
Part of what makes “Jazz June” so compelling is the way Tornado Rose fuses their signature roots-forward sound with literary inspiration, turning poetry into a communal listening experience. Americana and bluegrass have always thrived on storytelling, but rarely is a piece of American literature so seamlessly woven into a track like this. Rather than simply setting a poem to music, the band reimagines it, extending its cultural reach and making it feel alive for a new audience. Producer Dewey Boyd’s touch ensures that every instrument breathes, while Alex McCollough’s mastering polishes the track into something radio-ready without dulling its raw edge. The result is music that is accessible, powerful, and deeply intentional.
Ultimately, “Jazz June” is a triumph for Tornado Rose—a track that not only honors its source material but expands it, carrying the rebellious spirit of Brooks’ poem into the realm of roots music with a fresh and compelling voice. It’s a song that dares listeners to embrace its energy while reflecting on its cautionary undertones. In a year already defined by standout singles from the band, “Jazz June” stands as a bold declaration of artistry: fearless, literary, and deeply human. For fans of Americana, folk, and bluegrass, this is another track on the playlist and a reminder of the power music has to bridge time, culture, and emotion.
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