Martin Lloyd Howard’s new composition “Unanswered” feels like a work suspended between breaths—a piece that never hurries to reveal itself, instead dwelling in the fragile space between thought and feeling.…
Last Relapse’s self-titled EP arrives like a long-exhaled breath—one held for more than a decade and released at last with the weight of time behind it. For a band that…
Clinton Belcher’s “Stay With Me” enters the world with the kind of conviction that only comes from an artist who has lived his story down to the bone. As the…
Kim Vestin’s Phoenix is the kind of album that emerges slowly, softly, with the unshakeable sense that something long dormant has finally begun to breathe again. Released November 14, the…
Shelita’s “I’m So In Love With You” feels like a deep exhale finally released—warm, soulful, and pulsing with a quiet strength that comes from surviving what should have broken you.…
Tom Minor’s “Bring Back the Good Ol’ Boys” arrives like a grinning warning flare—bright, jaunty, irresistibly catchy, and carrying the unmistakable scent of satire burning underneath. On the surface, the…
Karelius Ihlang’s The Weight of Silence feels like stepping into a quiet room after years of noise. There’s a sense of arrival, but also of letting go—an emotional exhale that…
When an artist steps out from the shadow of a successful band to redefine themselves, the result can go one of two ways — an echo of past glories or…
With “Lhassa,” Dr. Clarke takes listeners on a meditative journey that feels ancient and futuristic—a hypnotic trance odyssey that drifts through the thin air of the Himalayas, touching the borders…
With Into The Ether, Leeds-based powerhouse ALL I LIVE FOR emerge as a band not only mastering their craft but also confronting the modern world head-on. Spearheaded by Mike Pearson,…
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