“Before and After Three” is the kind of track that invites you in, gently but confidently, and then slowly reshapes your emotional and sonic space. Released on January 23rd, 2026, the single stands as a refined statement of identity from The Burton D’Agostini Procedure, the Grand Rapids–based duo of Jeff Burton and John D’Agostini. With deep roots in the live music world—having supported acts like Tonic, Sponge, and The Verve Pipe—the duo brings a seasoned musical maturity to their work, and it shows in every detail of this track. Rather than chasing trends, “Before and After Three” feels deliberately timeless, blending classic psychedelic sensibilities with modern production clarity. From the first moments, the song establishes itself as “headphone music” in the purest sense—music designed to be entered, explored, and experienced spatially.
Sonically, the track exists in a beautifully balanced space between retro and futuristic. You can hear the spectral presence of influences like Pink Floyd, The Moody Blues, and The Doors in the track’s atmosphere and melodic patience, while the modern psychedelic textures of artists like Tame Impala and MGMT inform its contemporary polish. The production is rich, wide, and deeply stereo-driven, creating a three-dimensional listening field that rewards attentive listening. Every element feels placed with intention—nothing overcrowds, nothing feels wasted. Synth layers drift like fog across the mix, guitars shimmer rather than dominate, and the rhythmic foundation moves with restraint rather than force. This is music built on immersion. The song breathes, unfolds, and evolves, pulling the listener deeper with each section rather than trying to overwhelm them.
What makes “Before and After Three” especially compelling is its emotional pacing. The track feels like a journey rather than a structure—less verse-chorus-verse and more emotional arc. There’s a cinematic quality to the way it develops, as if the song is moving through internal landscapes rather than external scenes. The melodies feel reflective, slightly nostalgic, but never melancholic in a heavy sense. Instead, they carry a sense of contemplative calm—music that feels like memory, not sadness; introspection, not despair. The duo’s commitment to lush melodies and strong lyrical presence creates a sense of intimacy, even within the expansive production. It’s the kind of song that feels equally powerful at low volume in a dark room or through full headphones on a long night drive—subtle, but emotionally resonant.
Recorded at Lost Chord Studios near Grand Rapids, Michigan, the track benefits from a production environment that clearly prioritises detail, space, and sonic depth. The mix is intentionally wide and immersive, giving the listener the feeling of being surrounded by sound rather than positioned in front of it. This “very stereo” approach is an artistic philosophy. The Burton D’Agostini Procedure clearly understands that modern listening is often intimate and isolated, and they design their music for that reality. “Before and After Three” feels like it was built for solitary listening, for late-night reflection, for moments when music becomes personal space rather than background noise. It’s not designed to dominate a room, but to live inside the listener’s head.

Ultimately, “Before and After Three” is a refined expression of what The Burton D’Agostini Procedure does best: creating immersive, emotionally textured music that honours classic influences while firmly existing in the present. It doesn’t rely on nostalgia as a crutch, but uses it as a foundation. The result is a track that feels both familiar and fresh, comforting and exploratory. In a musical landscape often driven by immediacy and volume, this single chooses patience, atmosphere, and depth. It’s not a song that demands attention, but earns it through craft, restraint, and emotional intelligence. For fans of psychedelic pop, modern psych rock, and immersive headphone music, “Before and After Three” is a reminder that subtlety, space, and sonic intention can still feel powerful in a fast, noisy world.
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