Jessi Robertson’s “Shadow War: Singularity” arrives like a quiet reckoning disguised as a song—one that doesn’t shout its message so much as let it unfurl, slowly and inexorably, in the…
Some albums entertain, albums that comfort, and albums that transform. “21grammi”, the profoundly introspective record by Giuseppe Cucé, released on June 20, 2025, belongs firmly in the third category. Emerging…
Released on New Year’s Day of 2026, Levi Sap Nei Thang’s Childhood Memories arrives as an emotional time capsule. Timed perfectly with a season of reflection and renewal, the record…
From the frozen lands of Sweden—a region long synonymous with extreme metal—Deathkrush arrive fully formed and utterly merciless with their debut album, Plague Protocol. This is not a tentative first…
Jeff Hodges’ “Coming Home” arrives as a slow, steady walk toward something sacred. From the opening moments, the song feels lived-in, shaped by miles travelled and silences endured rather than…
From its opening moments, “Time to Let Her Go” by Gerry Farrow and Rue Randall announces itself as a song steeped in lived experience. There is an unmistakable sense that…
From the first crunch of guitar and the immediate snap of its rhythm, “Duck That Jeep” announces itself as a song built for motion. Peningo Riders don’t ease you into…
Ulrich Jannert’s Two Men by the Harbor arrives like a quiet scene from a reflective film, unfolding not with drama or spectacle, but with emotional clarity and patient grace. From…
Blue Sinclair’s When the Disco Ball Crashed Down feels like the aftermath of a long, shimmering night in New York City—the moment when the lights come up, the music fades,…
Ken Woods and The Old Blue Gang return with “Oh Denise” like a grin breaking across a serious face, a reminder that even the most committed blues traditionalists can—and should—cut…
Sign in to your account